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This fusion has sparked a debate among music enthusiasts worldwide: Did phonk come from Russia? Phonk music is characterized by its dark, gritty beats, chopped and screwed samples, and nostalgic 90s aesthetic. While its roots can be traced back to the southern United States, particularly Memphis, Tennessee, where artists like DJ Screw pioneered the chopped and screwed sound, phonk has evolved into a global ...
This fusion has sparked a debate among music enthusiasts worldwide: Did phonk come from Russia? Phonk music is characterized by its dark, gritty beats, chopped and screwed samples, and nostalgic 90s aesthetic. While its roots can be traced back to the southern United States, particularly Memphis, Tennessee, where artists like DJ Screw pioneered the chopped and screwed sound, phonk has evolved into a global phenomenon with influences from various music scenes around the world.With artists from around the world contributing their own unique perspectives and musical influences, phonk is set to remain a dynamic and ever-changing force in the global music landscape. While the exact origins of phonk music may be difficult to pinpoint, one thing is clear: Russia has played a significant role in shaping the genre and pushing it in new and exciting directions. By infusing elements of traditional Russian music with contemporary hip-hop sounds, Russian phonk artists have created a unique and compelling musical experience that resonates with audiences worldwide.Russian producers have been able to introduce American artists to their unique approach to phonk, while also gaining exposure to new sounds and perspectives from their American counterparts. The internet has played a crucial role in the globalization of phonk music, allowing artists from around the world to connect and share their work with a global audience.As the Russian phonk scene continues to grow and evolve, it is likely that we will see even more innovation and experimentation from Russian producers and artists. The unique blend of Russian musical traditions with the dark, gritty sound of phonk has captured the attention of music lovers around the world, positioning Russian phonk as a force to be reckoned with in the global music scene.
The Alternative Number Ones · We've Got A File On You
It’s never too soon to start planning for festival season, so here are the best music festivals that are happening across the world in 2025.
This boutique electronic music festival attracts an uber-cool party crowd, who you’ll see floating between palm trees, following the beat from stage to stage. MOGA’s lineup spans techno, house and disco, with heavyweights like Dekmantel Soundsystem, Dixon and Desiree having previously graced the iconic sun stage. It’s also a festival that celebrates the culture of its host city, Essaouira, from hosting immersive experiences within the city walls like a concert in the Sqala du Port to showcasing local talent from Essaouira’s colourful community.Every year, Latin and Spanish bands from around the world descend on Mexico City to perform at Vive Latino, arguably the most important Spanish-language rock music festival in the world. Naturally the predominant vibe is all things Latino, but bands of all nationalities and genres are welcome. Big names: Caifanes, Raphael, Scorpions, Aterciopelados, Keane, Molotov, Mon Laferte, Eden Muñoz ... Been there, done that? Think again, my friend.Sign up for our newsletter to get your city's hidden gems and cultural spots away from the crowds.It’s never too early to start planning for the new festival season, as while we agonisingly wait for the announcement of headliners for some of the world’s finest festivals (Glasto, we’re looking at you), others have already got themselves together (Primavera Sound, NOS Alive, Coachella, we thank you) with brilliant programmes of who are set to be some of 2025’s hottest artists. · And no matter your music taste, who you’re going with, your weather preference or your capacity for camping, the world will have a festival that’s right for you, from Europe to the USA, Canada to Japan and Australia to India.Culturally, there’s theatre, circus and exhibitions, and of course Budapest itself to explore. The only thing missing from the agenda is boredom. Big names: TBC, but previous headliners have included everyone from Fred Again.. to Stormzy, Dua Lipa to The National ... Outlook is all about soundsystem culture for people that love any type of beat going; everything and anything from two-step to four-to-the-floor to breakbeat.
Immerse your students in a world of global instruments, diverse sounds, and rich cultures. Global Sound Culture (GSC), is our technology-driven digital music programme, created in partnership with world-class recording studios.
“The Global Sound Culture pack really tackles some of the main objectives of the Model Music Curriculum and the National Plan for Music.” · “Great to give the students the opportunity to explore instruments from half way round the world that we otherwise couldn’t provide in school.We combine musical know-how with gaming design to provide a new,user-friendly way to experience music. Find out more today.Curriculum mapped music activities, sound files and preprepared DAW projects. Careers and Geography and cultural classroom activities. Opportunities to link with other schools and work towards performances. Our first pack, made in collaboration with Supersonic Africa, explores the sounds of East Africa.
Global Music Cultures: An Introduction to World Music [Wade, Bonnie C., Shehan Campbell, Patricia] on Amazon.com. *FREE* shipping on qualifying offers. Global Music Cultures: An Introduction to World Music
Ideal for introductory courses in world music and ethnomusicology, Global Music Cultures gives students an overview of key musical cultures of the world while also incorporating the latest theoretical approaches to the study of world music."Global Music Cultures presents a diverse set of globally representative case studies with a balance of historical, cultural, and musical information. Quality contemporary recordings, including videos, set this book apart from its competitors."--Elizabeth Clendinning, Wake Forest University · "This text is a wide-ranging survey of musical cultures throughout the world with a strong emphasis on thematic issues that cut across regions and cultural groups."This text is ideal for the modern world music classroom seeking to incorporate modern sensibilities and concerns in an approachable package for students who may or may not have experience engaging with music and other cultures on this level."--Brittney Patterson, University of MontevalloA unique world music text that combines the best of thematic and geographic approaches · Bonnie C. Wade is is Professor Emerita of Music (Ethnomusicology) at the University of California, Berkeley, and Recipient of The Berkeley Citation (2016) for Distinguished Achievement. Patricia Shehan Campbell is Donald E. Petersen Professor of Music at the University of Washington, teaching courses in Music Education and Ethnomusicology.
The Metropolitan Police has launched a murder probe in south London after the death of the 26-year-old died of stab wounds.Separate stabbing incidents » · Conservative leadership hopeful Boris Johnson has defended his infamous description of black people in Africa bearing “watermelon smiles” ...
In an interview primarily about ... his soundtrack work far more than his old single/album/tour musical path with Nine Inch Nails. ... Reznor explains to Indie Wire. “We haven’t gotten that from the music world necessarily.” · Addressing a point made by his interviewer, Reznor says: “You mentioned disillusionment with the music world? Yes. The culture of the music ...
In an interview primarily about the duo’s ongoing movie soundtrack work – in particular their scores for director David Fincher on movies such as The Social Network, The Girl with the Dragon Tattoo, Gone Girl and Mank – Reznor sheds light on why he now values his soundtrack work far more than his old single/album/tour musical path with Nine Inch Nails. ... Reznor explains to Indie Wire. “We haven’t gotten that from the music world necessarily.” · Addressing a point made by his interviewer, Reznor says: “You mentioned disillusionment with the music world? Yes. The culture of the music world sucks.While the duo are highly regarded film composers, they do tease at least one ‘new’ Nine Inch Nails release…Music [now] feels largely relegated to something that happens in the background or while you’re doing something else. That’s a long, bitter story.” · It’s fortunate therefore that the pair have embraced the world of movie soundtracks to fill their creative void.The movie soundtrack work of ex-Nine Inch Nailers Trent Reznor and Atticus Ross is, of course, by now highly regarded and a major influence on the scene and sound of today's movies. What might not be known is just what drove them to turn their back on their band and music-making, and just how unlikely it is that they will ever return.
The international community has changed, too, with global collaboration more possible than ever. “It’s been amazing the way you can work across continents,” says Chavez. “You can have someone producing beats in the US and someone in Mali laying over guitar riffs and someone somewhere else laying some synths. You don’t have to be in one room anymore to produce a great song.” · This summer, Sound Culture brings some acclaimed world musicians ...
The international community has changed, too, with global collaboration more possible than ever. “It’s been amazing the way you can work across continents,” says Chavez. “You can have someone producing beats in the US and someone in Mali laying over guitar riffs and someone somewhere else laying some synths. You don’t have to be in one room anymore to produce a great song.” · This summer, Sound Culture brings some acclaimed world musicians to the city, among them Novalima, Luisa Maita (recently named “the new voice of Brazil” by NPR), and a group of Madagascan artists involved with the anti-logging tour Wake Up Madagascar.Sound Culture Center for Global Arts is a bit of a misnomer; the center, in fact, is mostly just one guy, David Chavez, working tirelessly to keep Chicago’s international music scene flourishing with high-quality performances. “For the most part, it’s my blood, sweat and tears,” says Chavez, along with “contributions of a lot of peopleSo Chavez, a longtime DJ, started Sound Culture, which brings artists to town, books local artists, and organizes acoustic series and music festivals. One of Chavez’s many projects is the annual Celebrate Clark Street festival in in Rogers Park, organized in conjunction with the Rogers Park Business Alliance. Celebrate Clark Street has expanded beyond a community celebration to become a huge world music festival, “the only world music street party in the city,” says Chavez.This Friday’s show at the Mayne Stage presents the Congolese, L.A.-based artist Ricardo Lemvo with his band Makina Loca, whose music blends Afro-Cuban and pan-African styles. Chavez says he’s excited about every single act. “I won’t book a show that I won’t want to go to myself.” (Alli Carlisle) Ricardo Lemvo & Makina Loca play Friday, June 29, at 9pm at Mayne Stage, 1328 West Morse. $20, $16 for students with current ID. 18+. For the Culture, by the Culture, with the Culture: How the Black Promoters Collective is Changing the Concert Game Over the last twenty years, the business of promoting live music in the United States has consolidated in the hands of two multibillion-dollar behemoths, Live Nation and AEG Live.
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The world music genre's gradual migration from a clear spectrum of roots music traditions to an extended list of hybrid subgenres is a good example of the motion genre boundaries can exhibit in a globalizing pop culture.
In the age of digital music production the increased availability of high-quality, ethnic music samples, sound bites and loops from every known region are commonly used in commercial music production, which has exposed a vast spectrum of indigenous music texture to developing, independent artists. An amalgamation of roots music in the global, contemporary listening palette has become apparent, which weakens the role major entertainment labels such as Columbia, Warner, MCA and EMI can play in the cultural perception of genre boundaries.Academic scholars tend to agree that, in today's world of consumer music reviews and blogging, global music culture's public perception is what ultimately distils a prevailing basis for definition from genre ambiguity, regardless of how clearly a category has been outlined by corporate marketing forums and music journalism.The world music genre's gradual migration from a clear spectrum of roots music traditions to an extended list of hybrid subgenres is a good example of the motion genre boundaries can exhibit in a globalizing pop culture.The classic, original definition of world music was in part created to instill a perceived authenticity and distinction between indigenous music traditions and those that eventually become diluted by pop culture, and the modern debate over how possible it is to maintain that perception in the richly diverse genre of world music is ongoing. In a report on the 2014 globalFEST, National Public Radio's Anastasia Tsioulcas said, "Even within the 'world music' community, nobody likes the term 'world music'.The term "world music" (or "global," "international," and the like) is a Western musical category encompassing many different styles of music from other parts of the globe. It includes many forms of music that Westerners consider ethnic, indigenous music, folk music, neotraditional music, and music where more than one cultural tradition, such as non-Western music and Western popular music, intermingle.
Cody Matthew Johnson explains how he has scoured every sonic corner, from spider monkeys’ chatter to gamelan, to write tunes a space travelling street thief would hear
Star Wars Outlaws weaves in-universe and player-focused music together. Photograph: Ubisoft ... Cody Matthew Johnson explains how he has scoured every sonic corner, from spider monkeys’ chatter to gamelan, to write tunes a space travelling street thief would hear ... Have you ever thought what walking into a sweaty, dusty club on one of Star Wars’ desert planets would sound like?He made serious considerations, thinking about the sound of in-world instruments that the denizens of these worlds could physically play. He needed to consider “the timbral elements of different instruments, the emotions and semiotic denotations they evoked, and how they can be combined to create the sound of instruments that would have been created or inspired by the natural resources and culture of the world.”Matthew Johnson needed to go deeper, examining the dirt under the fingernails of Star Wars’ reprobates, and really tap into the culture of those both forgotten by the Empire and too dejected to join the Rebellion. He had to make alternate music for a universe we already know a lot about. ... Cody Matthew Johnson, composer, songwriter, and producer on Star Wars Outlaws Photograph: Knocking Bird · “The galaxy is far-reaching, there are canonically thousands (some say millions) of planets, and the in-world music over the last 40 years only scratches the surface of possibilities.“I was looking around every corner for inspiration to best represent these worlds and sometimes, yes, smashing gamelan, trash cans, didgeridoo and kazoo together sounded just right for Star Wars Outlaws.” · Matthew Johnson was “torturing himself” to avoid “zany alien music” playing in every hive of scum and villainy the player would pilot Kay Vess through.
The Music of World Cultures class ... use at all? Suggest an alternative term! 1) Brooke Selik World music refers to the musical styles of various regions and cultures, but tends to exclude Western music....
The Music of World Cultures class tackles "World Music" as a marketing construct. "What in the world is World Music?" Can the term be of any use at all? Suggest an alternative term! 1) Brooke Selik World music refers to the musical styles of various regions and cultures, but tends to exclude Western music.It also conveys the idea that music originates from culture, which is important to the music’s identity. Here is a link to an example of Klezmer music: http://youtu.be/1gGbA2BmcYc ... World music encompasses all music genres of the world except western music. Most music department of any store has a section labeled world music in which a diverse range of music can be found that seems foreign to most “western” ears. The rhythmic kecak dance from Bali, the low and soothing sounds of the shakuhachi flute from Japan, and celtic music from the United Kingdom are all examples of world music.Music can be used as a language because although many countries speak differently, music–whether it sounds different or not–is universal; it makes us feel a certain way when we hear it. Most seem to correlate world music with music from a far off foreign culture or with very unique instruments.A social issue that may accompany the idea of world music is the segregation of race and music. This also ties into culture divide that music creates. World music has ongoing connections and interpretations. An alternative term for world music could be “interpreted sounds of the world”.
Halfway through the year and a few music trends have become very apparent. Global music streams are up, Latin music has become the fastest growing streaming genre in the United States, and physical album variants are on the rise.
Explaining Election 2024 Advance vote Election results Google trends AP & Elections Global elections ... Asian American evangelicals' theology is conservative. But that doesn't mean they vote that way ... Exclusive insights and key stories from the world of politics.Comprehensive global coverage of how religion shapes our world.Halfway through the year, a few music trends have become apparent: Global music streams are up, Latin music has become the fastest growing streaming genre in the United States, and physical album variants — multiple releases of the same — are on the rise.Global streams also increased 15.1% with 2.29 trillion on-demand audio streams, up from 1.99 trillion at this point last year. People everywhere are streaming more music, and in the U.S., Latin music has become the fastest growing streaming genre, up 15.1% from this time last year.
'I'm not saying that as an old man yelling at clouds, but as a music lover who grew up where music was the main thing.'
Originating from various corners of the planet, world music includes everything from the rhythmic drumbeats of Africa to the melodic strains of Asian folk, the passionate flamenco of Spain, and the soulful ballads of Latin America. These sounds, intrinsically tied to the cultural identity and ...
In this blog post, we delve into the fascinating realm of world music, uncovering its roots, evolution, and the profound influence it has on cultural exchange and global understanding. Originating from various corners of the planet, world music includes everything from the rhythmic drumbeats of Africa to the melodic strains of Asian folk, the passionate flamenco of Spain, and the soulful ballads of Latin America. These sounds, intrinsically tied to the cultural identity and history of their regions, provide an auditory exploration of the world’s diverse heritage.Through this exploration of world music, we aim to highlight its role as a powerful medium for cultural storytelling and exchange. Join us on this melodious journey as we celebrate the sounds that have shaped and continue to influence the global music landscape.As these traditional sounds meet the modern era, they evolve, intertwining with new influences and technologies, yet continue to retain their distinct cultural identities and stories. In the modern era, world music has undergone a remarkable transformation, fueled by globalization and technological advancements.Furthermore, world music has found a place in mainstream popular culture, influencing contemporary artists across various genres. Elements of world music are increasingly being incorporated into pop, rock, and hip-hop, introducing these traditional sounds to a new generation of listeners. This integration not only enriches the musical landscape but also fosters a greater appreciation for the diversity of global musical traditions.
“World music” is also a vague, general term that excludes Western-made fusion and hybrid music. Attempts have been made to align the work of these artists under the labels of worldbeat, ethnic, world and global fusion, but these terms also stigmatise by their generalist tone.
But the term also evades any connection with a sense of culture or place. Even rap music has a plethora of sub-categories including crunk, grime, trap, drill, and so on, all of which are regional but still exist in the Western world only. “World music” is also a vague, general term that excludes Western-made fusion and hybrid music. Attempts have been made to align the work of these artists under the labels of worldbeat, ethnic, world and global fusion, but these terms also stigmatise by their generalist tone.Kershaw, in particular, brought many of these sounds to a broader audience – and it was possible to track down some of the music he played in HMV and Tower Records’ world music sections the following week. Despite this, consumers were merely scratching the surface of an incredible range of different vernacular music produced in a multitude of locations across the globe. So how appropriate is the term world music in the contemporary post-global world of popular music?There are many sub-genres of Hip Hop, so why is all non-Anglophone music lumped under the label ‘world music’?Principal Lecturer in Cultural Theory / Research and Innovation Lead, School of Art, Design and Fashion, Faculty of Culture and the Creative Industries, University of Central Lancashire · Adam de Paor-Evans does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment. University of Central Lancashire provides funding as a member of The Conversation UK. ... The global music business is experiencing demonstrable growth for the first time since the 1990s, and according to the International Federation of the Phonographic Industry (IFPI) sales of music reached US$17.3 billion in 2017 an increase of 8.1% on 2016.
global music, broadly speaking, music of the world’s cultures. The term global music replaced world music, which had been adopted in the 1980s to characterize non-English recordings that were released in Great Britain and the United States.
Global music, broadly speaking, music of the world’s cultures. In the 21st century the term replaced ‘world music,’ which had been adopted in the 1980s to characterize non-English recordings that were released in Great Britain and the United States. Global music, however, remained synonymous with world music.global music, broadly speaking, music of the world’s cultures. The term global music replaced world music, which had been adopted in the 1980s to characterize non-English recordings that were released in Great Britain and the United States.The term world music refers to the music of the world’s cultures. In the 1980s, world music was used to label non-English recordings released in Great Britain and the United States.Although some artists from countries on the margins of the Western popular music market could now aspire to a worldwide audience, those who took superstars such as Michael Jackson, Madonna, and Bob Marley as their role models were usually frustrated by the idiosyncratic tastes of world music mediators. World music was welcomed for its “authenticity,” as a counterpoint to the increasingly synthetic and robotic sounds favoured by Western pop producers during the 1980s.
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World News and International Headlines NPR world news, international art and culture, world business and financial markets, world economy, and global trends in health, science and technology.The Israeli military confirmed the airstrike, but said it was targeting terrorists who it says embed near or beneath cultural heritage sites. Ayman Oghanna for NPR hide caption toggle caption Ayman Oghanna for NPR · December 23, 2024 Part of a Crusader castle crumbled. An 18th century minaret felled. Church mosaics burned. Archaeologists are assessing damage to UNESCO World Heritage Sites from Israeli strikes on Lebanon and Syria.December 24, 2024 In the Xinjiang region of western China, the government has rounded up and detained hundreds of thousands of Uyghurs and other Muslim ethnic groups. Many haven't been heard from in years, and more still are desperately searching for their families. Western governments have called this crackdown a cultural genocide and a possible crime against humanity.December 25, 2024 In the Transcarpathia region, some locals embrace a traditional lifestyle and cultural identity.
A new one-day festival Forever Now, a sister event of the US’ Cruel World festival, is to launch next summer in Milton Keynes.
A new one-day festival Forever Now, a sister event of the US’ Cruel World festival, is to launch next summer in Milton Keynes. The inaugural event will showcase alternative music, fashion and literature and will be held at the city’s National Bowl on June 22.Steve Homer, CEO of festival organiser AEG has said: “We are delighted to present a festival that reflects the rich heritage of artists in the alternative music field. The day will feature some amazing artists, unique sets, and collaborations not seen on a UK stage before. As the birthplace of alt counterculture, the UK is the perfect home for a festival to pay homage to alternative creative artistry.’’ · Cruel World Festival has been going since 2022, based in Pasadena, California.Forever Now: the ultimate one-day festival The UK sister event to the critically acclaimed US festival, Cruel World. This summer, bringing the best of new wave, post-punk, psychedelia, and alt-rock to Milton Keynes. 🎸✨ · Sign up for presale access at https://t.co/uG1SCnC1la 👉 pic.twitter.com/J91ntB1Aom ... Forever Now will have three stages of music, one of which, The Echo Chamber, will be hosted by the music journalist John Robb.
Over the 20th century, the invention of sound recording, low-cost international air travel, and common access to global communication among artists and the general public have given rise to a related phenomenon called "crossover" music. Musicians from diverse cultures and locations could readily access recorded music from around the world...
Over the 20th century, the invention of sound recording, low-cost international air travel, and common access to global communication among artists and the general public have given rise to a related phenomenon called "crossover" music. Musicians from diverse cultures and locations could readily access recorded music from around the world, see and hear visiting musicians from other cultures and visit other countries to play their own music, creating a melting pot of stylistic influences.Since the music industry established this term, the fuller scope of what an average music consumer defines as "world" music in today's market has grown to include various blends of ethnic music tradition, style and interpretation, and derivative world music genres have been coined to represent these hybrids, such as ethnic fusion and worldbeat. Good examples of hybrid, world fusion are the Irish-West African meld of Afro Celt Sound System, the pan-cultural sound of AO Music and the jazz / Finnish folk music of Värttinä, each of which bear tinges of contemporary, Western influence—an increasingly noticeable element in the expansion genres of world music.Examples of radio shows that feature world music include The Culture Cafe on WWUH West Hartford, World of Music on Voice of America, Transpacific Sound Paradise on WFMU, The Planet on Australia's ABC Radio National, DJ Edu presenting D.N.A: DestiNation Africa on BBC Radio 1Xtra, Adil Ray on the BBC Asian Network, Andy Kershaw's show on BBC Radio 3 and Charlie Gillett's show on the BBC World Service.World Music day is usually celebrated for one week in Lagos, Nigeria at different location around the state. ... Poland's Cross-Culture Warsaw Festival is held in September each year. Brave Festival, Wrocław, Poland. July each year. Ethno Port, Poznań, Poland. June each year. Ethno Jazz Festival in Wrocław, Poland. Several events throughout the whole year. Different Sounds (Inne brzmienia), Lublin, Poland.The BBC Radio 3 Awards for World Music was an award given to world music artists between 2002 and 2008, sponsored by BBC Radio 3. The award was thought up by fRoots magazine's editor Ian Anderson, inspired by the BBC Radio 2 Folk Awards. Award categories included: Africa, Asia/Pacific, Americas, Europe, Mid East and North Africa, Newcomer, Culture Crossing, Club Global, Album of the Year, and Audience Award.
